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A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
.... ADVENT 2119 ADVENT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits. Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18 Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance. With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts. But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1878- 1947 Page 217 " 'A man may be born ,but in order to be born he must first die, and in order to die he must first awake.' " Thus spake the prophet Gurdjieff.
HOLY BIBLE Scofield References Page 1117. A.D. 30. Jesus answered and said unto him, Verily, verily,
O NAMUH BELOVED CHILDREN OF THE LIGHT BLESSED DREAMER OF DREAMS AWAKEN THE ETERNAL MOMENT BIRTHS ITS FUTURE
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
SOME MYSTICAL ADVENTURES G. R. S . Mead 1910 AS ABOVE, SO BELOW. "Heaven above, heaven below; stars above, stars below; all that is above thus also below." *-Kircher, Prodrom. copt. pp. 193 and 275
Daily Mail, Thursday, December 26, 2019 Page 66 QUESTION What is the first known depiction of a ghost? THE concept of a ghost has existed since ancient times. It's based on the idea that a person's spirit exists separately from his or her body, and may continue to exist after they die. Ancient societies adopted funeral rituals as a way of ensuring the dead person's spirit would not return. In Mesopotamia was believed that after death, a spiritual entity kno as a Gidim was created, which maintained the identity of the deceased and travelled on to the land of the dead. A Gidim would return to haunt the living if proper attention had not been paid to funeral rites or an unlawful act resulted in the person's death. This concept is comparable to the shades of the deceased in the Underworld in Greek and Roman mythology. The Mesopotamian Epic of Gilgamesh of 2100BC, the first great story cycle tells of the death of King Gilgamesh's companion, Enkidu. It describes the underworld adventures of his ghost, and its return to the world when Gilgamesh breaks a hole in the earth. In Egyptian mythology, dead spirits visited the Hall of Truth where they were judged by the god Osiris. If the burial rites had not been observed, or some great wrong had been committed in life, the Akh (spirit of the dead) was allowed to return to Earth to redress the wrong. Greek writers such as Homer, Horace, Livy and Plutarch made reference to ghostly phenomena. In the first century AD, the great Roman statesman Pliny the Younger related the first haunted house story. He told of-how Athenodorus, a Greek philosopher of the 1st century BC, rented a large house at a reasonable price. This was because the house was haunted by the spectre of an old, bearded man. The ghost, bound with chains, led Athenodorus to a courtyard, where it vanished. Athenodorus marked the spot, and the next day dug up the skeleton of an old man, bound With chains. After the skeleton was given a proper burial, the ghost was said to have never haunted that house again. In the 3rd century AD, the Greek platonic scholar Porphyry wrote to the Egyptian sage Anebo outlining all the ghostly phenomena he was investigating, including prophecy, fire-walking, levitation and poltergeist phenomena.
A GHOST A GHOST GODS HOST A GHOST
Daily Mail, Wednesday, May 11, 2016 Page 51 ANSWERS TO CORRESPONDENTS Compiled by Charles Legge The trail of Christ's Grail QUESTION What is the origin of
the Holy Grail story? ACCORDING to Grail legend, the Holy Grail was the cup (or platter, cauldron or stone) from which Jesus drank at the Last Supper and which Joseph of Arimathea later used to collect drops of Jesus's blood at the crucifixion. Legend has it that Joseph then brought the cup to Britain, where it was lost. The Holy Grail then became part of Arthurian legend. It was believed to be kept in a mysterious castle in a wasteland, guarded by a custodian called the Fisher King, who suffered from a wound that would not heal. His recovery and the renewal of the blighted lands depended on the successful completion of the quest to find the Grail. The magical properties attributed to the Holy Grail have been plausibly traced to the 'horn of plenty' of Celtic myth that satisfied the tastes and needs of all who ate and drank from it. The Holy Grail first appeared in a written text in Chretien de Troyes's Old French verse romance, Perceval, le Conte du Graal from about 1180. De Troyes claimed he received knowledge of the tale from a book from his patron Philip, Count of Flanders. His prologue specifically implies this was his source, ending 'it is the story of the Grail of which the count gave him the book'. But there is speculation as to whether this book existed: 12th-century writers were sensitive to the charge they invented stories for which they had no `authority'. During the next half-century, several works, both in verse and prose, were written about the quest for the Grail although the story, and the principal character, vary from one work to another. The word graal, as it was historically spelled, comes from Old French graal or great, cognate with Old Provençal grazal and Old Catalan gresal, meaning a cup or bowl of earthenware, wood or metal. The most commonly accepted etymology derives it from Latin gradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus, borrowed from the Greek krater, a large wine-mixing vessel. The Grail myth was revived in the lath century by romantic authors Scott and Tennyson, Pre-Raphaelite artists, and composers, notably Richard Wagner. The story has persisted in novels by Charles Williams, C. S. Lewis, John Cowper Powys, in Dan Brown's The Da Vinci Code and the Indiana Jones movies.
THE HOLY GRAIL A HOLY GIRL IS
A HOLY WOMANS WOMB IS THE HOLY GRAIL A HOLY GIRL IS
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
VIRGO INTACTA
Numerology. Chaldean Numerology. The numerical value of virgo intacta in Chaldean Numerology is: 2. Pythagorean Numerology. The numerical value of virgo intacta ...
THE MAGICAL ALPHABET
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
SPIRTUS SANCTUS
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
Daily Mail, Wednesday, October 30, 2019 Page 62 QUESTION Does evolution always make organisms more complex? Does it ever simplify? IN GENERAL,. evolution appears to make organisms more complex in order to confer greater fitness for purpose. In the same way, modern car engines are far more sophisticated and reliable than early ones. Complex organisms can only evolve from simpler ones. One of the most complex biological sttructures is the eye, and some Creationists have tried using it as an example of a
structure that could not ave evolved. Cave-dweIling animals living in total "darkness may lack eyes, despite evolving from sighted ancestors. In the dark there -are no environmental pressures to maintain such a complex but, for them, useless structure. Many parasites become simplified, obtaining all their needs from the host without much effort. Their problem is with infecting new hosts, and it is in this area that they gain complexity through their life cycles and behaviour. Unnecessary complexity can be lost, which is an example of evolution going into reverse. Some snakes retain the vestiges of limbed ancestors. Flight requires complex adaptations that confer advantages in escaping predation, but at the cost of size and weight limitations and high energy expenditure. In the absence of predators, the ability to fly can be lost — as in New Zealand's moa and kiwi — which is -arguably a reversal of evolution. The ultimate parasites are viruses, which are so simple that they consist onlyof nucleic acid and a protein coat. They invade the host cell and reprogramme the nucleus to make more viruses. As they need the host for reproduction they must have evolved later, probably from DNA and protein fragments of other, more complex, organisms. Phil Alexander, Farnborough, Hants
99 NAMES OF GOD GOD OF NAMES 99 THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE HOW GREAT THOU ART HOW GREAT THOU ART
HUMAN BEINGS
HUMAN BE IN GOD
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
HUMAN B IN GOD
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
HOLY BIBLE REVELATION C 21 V 1 And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea.2 And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.3 And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God. 4 And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away. 5 And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful.6 And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. 7 He that overcometh shall inherit all things; and I will be his God, and he shall be my son.
THE LIGHT IS RISING RISING IS THE LIGHT
MAGI THE MAGIC C FLUX COOL COOL FLUX C MAGIC THE MAGI
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